#Cubase ai vs pro manual#
#Cubase ai vs pro pro#
#Cubase ai vs pro software#
#Cubase ai vs pro windows#

When you launch Cubase, it starts you out with what they call the “Steinberg Hub”. If you’d like to read one of our previous reviews of an earlier version of Cubase, you can check that out here:

My hope is that this review will present what makes it stand out in a crowded world of digital audio workstation software.

#Cubase ai vs pro pro#

Rather than going down those familiar paths, I thought it would be better to cover some of the more useful functions and plugins that Cubase Pro 9.5 offers. Of course, they each have slightly different ways of getting things started, but all in all it is nearly the same across the board: add a track for audio or MIDI, set a track to record, hit the transport control to start a recording, etc. In general (and I am simplifying it here), audio recording and MIDI input from a keyboard or other MIDI device is nearly same across the many DAWs that are out there.

#Cubase ai vs pro manual#

To do that, it would require an extensive article that could be very long and there is a manual for that in any case. I won’t cover all the basics of how Cubase really functions. Also, you will need an internet connection for account setup and activation. Cubase requires a USB e-Licenser, and another important requirement to note is that Cubase can only use 64-bit plugins. You’ll need a 64-bit Intel or AMD multicore CPU (i5 or better), a minimum of 4 GB of RAM (8 or more is recommended). For the Mac, it will work with OS X 10.11.

#Cubase ai vs pro windows#

Installation and Requirementsįor the PC, Cubase Pro 9.5 will work with 64-bit Windows 7, 8 and 10. Here are just some of the things Cubase Pro 9.5 offers: unlimited audio and MIDI tracks, up to 192kHz and 5.1 surround audio, automatic delay compensation, 90+ audio and MIDI plugins, improved zones, VariAudio audio editing/pitch correction, VST Connect SE, and much more. They still have the same high quality sound, but they offer fewer tracks and there are fewer features/plugins included depending on the version. The two other Cubase products available, Cubase Artist 9 and Cubase Elements, are stripped down versions. It’s really a complete suite of products aimed at maximizing the potential of your pro or home studio. In the world of computer music production, it is one of the most highly regarded DAWs you can buy. In this latest incarnation there are many useful improvements, as you will see in this review.Ĭubase Pro 9.5 is Steinberg’s flagship DAW product which has been improved upon over many years.

#Cubase ai vs pro software#

“We are very proud as a small Munich software house to be granted such a notable international recognition for our work,” said Neubäcker, receiving the award together with his three partners in Los Angeles.Cubase is a legend in the DAW world, and it keeps getting better with age. He also thanked the Recording Academy, the Celemony team, the company’s many friends and, of course, all the users of the software Melodyne. In his acceptance speech, Peter Neubäcker alluded to his philosophical and mathematical background, explained his own, singular vision of music, and described the beginnings and the spirit of the company. After all, Celemony has blazed open a radically new avenue of access to musical editing that for ten years now has made it impossible to imagine music production without it. Host and Grammy manager James McKinney opened with the legendary question posed long ago by Melodyne inventor Peter Neubäcker: “What does a stone sound like?” A truly philosophical approach to the world of sound technology, far away from the purely technical thought-processes that typically prevail in the industry, and yet it is for precisely that reason Celemony was chosen to receive this year’s Technical Grammy. The first of the Special Merit Awards to be presented went to the Munich software house Celemony. And perhaps also the strangest,” commented Melodyne inventor Peter Neubäcker.

I believe our company is the smallest ever to have received a Technical Grammy. “This is an honor none of us ever expected. The highest award in the music business is given in recognition of “contributions of outstanding technical significance to the recording field” and is equivalent to an Oscar in the film industry. On February 12, 2012, we have been honored by the Recording Academy as the first German software manufacturer with a Technical Grammy.